A contemporary Toile de Jouy
The beauty of the 18th century monochrome print and its motifs – often recording historic events,
In this Jules Vernesque version of Luxembourg during the SARS-CoV-2-crisis, the guiding principle
Historically, Toile de Jouy (“cloth from Jouy”) prints were the perfect medium to propagate not only populist themes, but also political views as well as recording historic events; one by Jean-Baptiste Huet (c. 1783) proudly showed off France’s scientific prominence with scenes from the first hot-air balloon flight, and other toiles featured images of colonial aspirations with fleets of sailing ships reaching their destinations of tropical islands and negotiating with tribal leaders.
The type of print is characterised by complex vignettes scattered over the surface of the cloth. Originally, they were scenes carved on woodblocks or engraved on copperplates, then printed on textiles for interior design or clothing.
From c. 1760 to c. 1821 the textile factory at Jouy-en-Josas, south-west of Paris, distinguished itself with the creation of large figurative designs depicting important occurrences of the time in order to appeal to their customers. Through their interest in certain events, engravers and artists both provoked and participated in veritable fads.